Professional videographers is usually one criterion: when it comes to camera movement, he should be encouraged. Because it looks cool, is usually not a legitimate reason for using complicated camera move. Instead, you can use the camera moves to change the views of what makes you see the shoots of large, small, or even scarier. You must use camera movement to tell your story better and to improve the experience of the audience.

We will violate this movement by movement, so you will know how to run every shot and why you may use it. We also have been divided into 3 columns, which follow the easy part:

* Mount the camera to create the move.
Camera operator or the device and move together.
* Only move the camera lens.

Mounted camera to create the move
1 - What: Pan


How: Move the camera left or right horizontally. Ideally, you should use a tripod for a smooth effect. To a large "panner", a practice shot several times at some speed before you feel comfortable with it.
Why: To follow the subject or show the distance between two objects. Pan nangis also working very well for such a panorama shot from the mountaintop to the valley below.
Regulation: Always start at the still shot, when you start, and finished in the still shot. Practice first. See the place as when the middle reaches between initial and final place. If there is nothing worth seeing, it is not feasible when the shooting.
2 - Do: Tilt


How: Moving the camera up or down without improving the position.
Why: As panning, the subject or to display the top and bottom of a well-balanced object. With tip, you can also show how things are high. For example, a slow swing to make Giant Sequoia tree that shows the grandness and violence.

Here is a good tip. In general, when you shoot tip and the object or person that they see more and more bold. The subject appears smaller and thinner when you tilt down.
Regulation: Always start at the still shot, tip start, and finished in the still shot. Practice first. See the place as the tip reaches the middle between the top and the bottom tip. If there is nothing worth seeing, it is not feasible to tilt the image.
3 - What: mat


How: No tilting, but physically moving the camera up high or down, usually on a tripod.
Why: You are the focus of the camera or get down to the exact height that you want. If you want to get "eye to eye" with the six-foot-six basketball players, you will be lining up. While the images of flowers or a small child, you will be lining down to their level.
And the camera operator or mobile devices with
4 - What: Dolly


How do: Camera song or set on wheels and moved toward the back or from the subject. A dolly is also a noun, which explains the tire contraption used to dolly (verb) shot or a device attached to a tripod. A wheelchair, because it has large wheels, rolls smoothly, and have a seat for the videographer, works quite well as a doll, but you can also use the train stuck or even skateboard.
Why: To follow the object smoothly to get a unique perspective. In some movie directors and combine the dummy shot to enlarge the real sense of doom. To do this, the camera will zoom lens is subject to the same camera with a physical dollies out, and shot at people remain the same size, but the background appear to move. It is difficult to master smoothly, but it is done correctly, a real shot to convey a sense of tension and a sense of vertigo.